William Shakespear: Explorer and Photographer

​What if I told you that William Shakespear was born in India!!! What if I added that he was born in Bombay to British parents!!! What if you also find that he was a Captain with the British Indian Army and later a British Political Agent who served not only in India but also West Asia!!! What if I also said that he was an accomplished photographer and an explorer but not so good at poetry. Hold your horses and don’t unsheathe your swords before I tell you that all this is true. Trust me, I am talking about William Henry Irvine Shakespear, the one who didn’t use an “e” as the last character of his last name. 

Of course I am not talking about the “Bard of Avon” or the playwright, poet, and actor born in Stratford-upon-Avon in April 1564. I am talking of yet another Shakespear who excelled in many other deeds. It is the similar sounding name, the same country but that is where the similarity ends and they were born 300 years apart.

Captain William Henry Irvine Shakespear CIE (29 October 1878 – 24 January 1915) was a pioneering British explorer and civil servant. He also served in the Indian Political Department.  He conducted extensive mapping of the Arabian desert, including a notable journey from Kuwait to Riyadh and on to Aqaba in 1914, providing detailed intelligence to the British War Office. “Shakespear of Arabia” was loosely given title to him and was sometimes referred to as a precursor to T.E. Lawrence (of Lawrence of Arabia fame), he was deeply involved in local politics and exploration, capturing the landscape and people with his camera.

Born into a family of British colonial administrators stationed in Bombay, his father, William Henry Sulivan Shakespear, served in the Indian civil service, while his mother, Annie Caroline Davidson, was a homemaker.

As was customary for children of Anglo-Indian expatriates, Shakespear spent much of his early years separated from his parents, who remained in India for professional duties. He received his initial education in England before attending King William’s College, a preparatory school for military or civil service careers. By adolescence, Shakespear had developed an interest in languages and horsemanship, skills honed through the structured yet distant colonial upbringing that characterized many British families in the Raj.

Shakespear was commissioned as a second lieutenant in the British Army and served with the Devonshire Regiment in India. Later, he was transferred to the 17th Bengal Cavalry, continuing his military duties in the region while developing proficiency in local languages and customs essential for Frontier service. At his stint in Bombay Presidency he earned a reputation for marksmanship, including tiger hunting expeditions that led to his nickname “Tiger Henry.”

By 1903, he transitioned to the Foreign Department of the Government of India to pursue diplomatic roles. He became the youngest vice-consul in British India, handling consular affairs amid the empire’s expanding influence in the Persian Gulf periphery. His focus was on intelligence gathering, tribal relations, and language studies including Arabic, Persian, and Hindustani.

As the Political Agent and Diplomat he was posted in Kuwait (1909–1914)  where he established crucial, trusting ties with Ibn Saud, the Emir of Najd, and future founder of Saudi Arabia. He served as the military adviser to Ibn Saud between 1910 and 1915 and was instrumental in facilitating the relationship between the British Empire and the House of Saud. A treaty drafted by him was signed shortly after his death, giving the Saudi rule early international recognition. He was known for his familiarity with local Arab rulers and for conducting a journey to England from India in a motorcar, which he later used in his desert explorations. His work involved monitoring regional threats and supporting British interests against Russian encroachment in Central Asia.

He achieved fluency in Arabic and adopted Bedouin attire and customs, which enhanced his credibility among sheikhs and tribesmen. Shakespear traversed vast desert expanses by camel caravan, often accompanied by Bedouin guides, to map routes, wells, and topographical features previously undocumented by Europeans.

It was Shakespear who arranged for Ibn Sa’ud to be photographed for the first time. Ibn Sa’ud had never seen a camera before. In March 1914, Shakespear began a 2,900 kilometre journey from Kuwait to Riyadh and on to Aqaba via the Nafud Desert, which he mapped and studied in great detail, the first European to do so. In November 1914, the British government in India asked Shakespear to secure Ibn Sa’ud’s support for the British-Indian Mesopotamian Expeditionary Force, which had just taken Basra. Aqaba is a coastal city in Jordan, located in the southernmost part of the country on the Gulf of Aqaba, which is a northern arm of the Red Sea. It now serves as a major tourist destination and industrial port near the borders of Israel, Egypt, and Saudi Arabia.

Shakespear was killed in action on January 24, 1915, during the Battle of Jarrab, while supporting Ibn Saud against Ibn Rashid. He was killed by gunfire by one of Ibn Rashid’s men. At the time of his death he was taking pictures of the ‘live battle’ (from a vantage point on a hilltop) between the two warring groups. He was buried in Kuwait. His grave is located in central Kuwait City, near the modern Al Hamra Tower. Ibn Saud’s trust in Shakespear was evident in his remark “my trust is first in God and then you,” underscoring the personal dimension of their alliance.

 Following Shakespear’s death Ibn Sa’ud’s forces suffered a decisive defeat against Ibn Rashid, leading to a rout in which hundreds of men were killed and Shakespear’s personal belongings, including his camera and photographs, were plundered by the victors.

His death was described as ‘a great loss to the cause of the Arab world’, and ‘a disaster to the Arab cause’. It may be reckoned in the small category of events which changed the course of history. Had he survived to continue a work for which he was so eminently suited, it is extremely doubtful whether subsequent campaigns of Lawrence would ever have taken place in the west.

Shakespear documented previously unknown terrain, tribes, and water sources essential for British strategic interests in the region. He achieved fluency in Arabic and adopted Bedouin attire and customs, which enhanced his credibility among sheikhs and tribesmen. Shakespear traversed vast desert expanses by camel caravan, often accompanied by Bedouin guides, to map routes, wells, and topographical features previously undocumented by Europeans.

During his expeditions in central Arabia he documented Bedouin customs, photographed landscapes and settlements, and forged initial contacts with influential sheikhs, laying groundwork for strategic alliances. These ventures yielded precise route surveys and ethnographic insights, enhancing British cartographic records and informing policy on pearl fisheries, trade routes

His work as an amateur photographer produced the first images of the Arab world, provided valuable ethnographic and geographic data that advanced European understanding of Bedouin societies and desert landscapes.He drafted the initial Anglo-Saudi agreement recognizing Ibn Saud’s independence from Ottoman suzerainty shortly before his death.

Shakespear employed photography as a key tool during his Arabian expeditions, utilizing a glass-plate camera equipped with a clockwork mechanism to produce panoramic images, which he developed on-site within a light-tight tent to ensure immediate processing under challenging desert conditions. His work yielded some of the earliest documented visual records of Bedouin encampments, nomadic lifestyles, and vast interior landscapes in Kuwait and central Arabia, captured primarily between 1909 and 1914. 

A keen photographer, Shakespeare was responsible for capturing some of the most enduring images of Arabia in the first part of the Twentieth Century. His photographs are among the best-known early images of Kuwait and Saudi Arabia prints of which were later auctioned by Sotheby’s. 

He recorded the historic meeting between Abdula​ziz Ibn Saud and Shaikh Mubarak al-Sabah, producing the first known photographs of the future Saudi ruler. These portraits, depicting the leaders in traditional attire amid diplomatic exchanges, offer invaluable primary evidence of early 20th-century Gulf politics and tribal alliances. He had met and taken three photographs of the young ruler in Kuwait in 1910. His 1911 journey took him south to the wells of Thaj, technically in Ottoman-controlled al-Hasa, where he conferred with Ibn Saud again and took further photographs of him.

Thirty three photographs (200 x 255mm) of Captain Shakespear, with a copy of the typescript diary of his 1914 trans-Arabian journey, and the 1922 issues of the Geographical Journal containing ‘Shakespear’s Last Journey’ with a map of Northern Arabia charting Shakespear’s travels in 1909–14 were acquired and auctioned by Sotheby’s. Many of these were silver prints from Shakespear’s original glass plate negatives held by the Royal Geographical Society.

Reading about figures like Captain William Shakespear and his likes from the 17th to the early 20th centuries, one cannot help but marvel at the remarkable adventurous and daring spirit of these wayfarers who left an indelible mark and truly shaped the course of history in ways more than one.

Rajinder Arora, 17 March 2026

Lettered Cone – genetics of life on earth!

A kind aunt recently gifted this curio to Rajni together with its two cousins – the three being sea shell cones. The pattern and markings on this one fascinated me as I had not seen anything like this before so I searched a bit about it. Lo and behold, it is called “Lettered Cone” – it has found home finally – I told myself. 

Not surprising that even among the marine species of snails, gastropods, and mollusks there are ‘lettered’ and the ‘unlettered ones’. Just guessing, that among the lettered ones there must be poets and literary masters too – this one looks as if its pattern is rhyming with nature. In its top view it looks like the top of an ice cream cone filled with chocolate chunks in vanilla. Its sides look like a fancy snake skin. Holding it in hand is sheer delight, its inner curves still carrying the smell of saline waters of Indian Ocean where it is found in plenty. Don’t worry much about the red spot, it is some plastic stuck to it which I plan to remove carefully. 

A species of predatory sea cone snail or mollusk, Lettered Cone is also known as leopard cone. Like all species of conus these are venomous and capable of stinging humans. Fishermen don’t even touch it. It is the chocolate brown pattern on it which looks like a long forgotten ancient script that gives it its name and makes it look special. I learnt that “…the patterns on the Lettered Cone shells are also reminiscent of chromosomes. Possibly this is the undecipherable story the Lettered cone shell is trying to tell; a glimpse into the genetics of life on earth. For now, this deadly beauty will keep its secrets – possibly hidden in the letters of its shell.

I am told people have been obsessed with seashells since the Stone Age. These have been used as money, worn as jewelry, and used in trade. But if you’re beachcombing in the tropics, there’s one beautiful shell you can leave alone: the Cone Snail.

The Lettered Cone is the “femme fatale” of the ocean. It gets its name from the dark patterns on its shell that look like handwriting or secret codes. Every shell is unique, like a fingerprint, and some collectors even hunt for ones that look like they spell out actual words. Collectors say ‘no two messages’ are ever the same on these cones.

People have seen everything from early Arabic letters to lost codes in these patterns. Some collectors specifically hunt for “word shells”—specimens where the dots and dashes happen to line up to look like actual words.

In some cultures, these markings weren’t just seen as random; they were viewed as a way for the divine to speak to us.

From a scientific lens, these patterns are actually a real-world example of “Rule 30″—a complex mathematical rule used to study chaos and complexity in nature. It’s as if the snail is printing out a chaotic computer code as it grows.

I am not the only one obsessed with these. Over 2,000 years ago, people in Japan went on dangerous sea voyages just to find these shells turning these into bracelets for high-society women. Wearing one was not just the ultimate fashion statement it also marked the wealth of the owner enough to own something for which literally some lives could be risked.

The predator inside this pretty shell carries a harpoon of poison. Its needle-sharp tooth shoots out  toxic cocktail that can paralyze a prey in an instant. For humans, it’s incredibly dangerous—some species are nicknamed “cigarette snails” because the joke is you’d only have time for one last smoke after being stung.

But here’s the crazy part: that deadly venom of Lettered Cone is actually saving lives. A subject of neuroscientific research, scientists are turning its venom into medicine for neurological diseases like Alzheimer’s, Parkinson’s, depression and even epilepsy. They’ve even created a painkiller from it that’s 1,000 times stronger than morphine but isn’t addictive.

So, if you see one of these gorgeous patterned cones in the sand, just remember: it’s a tiny, beautiful masterpiece that packs a punch strong enough to change the world—or end your day very quickly.

Lettered Cone from the Indian Ocean

-Rajinder Arora, 15 March 2026

Manoranjan Byapari

A decade back I had decided not to read a Byapari work again. Last time my eyes were sore and had run dry. I felt guilty for things I had not done. For a few months I was on roller coast viewing everything from a perspective unknown to me before. His hard-hitting writing gave another meaning to struggle, deprivation, hunger, exploitation and the limits of human endurance. With Imaan, his next work in my hand, Byapari has dug deeper leaving no scope for plain tears. He wields a dagger that pierces the heart of the society showing us its rot and filthy blood. However uncomfortable, if there’s one writer you must read, it is Manoranjan Byapari. Read all his works. There are days when you repent not knowing Bangla, today is that. 

Love is a Resistance

Love is Resistance sews together 77 posters for a free Palestine from creatives around the globe
To hang, to share or to tear out and take to protests, this living archive calls for solidarity in action.

Love is Resistance is a collection of 77 commissioned posters by artists, musicians, writers, designers, filmmakers, actors, digital creators and voices from across the world standing in solidarity with Palestine. Each poster tells its own story – recalling iconic figures, pivotal moments, poems and personal acts of remembrance – and bears witness to grief while insisting on life, justice and liberation.

Love is Resistance is a book “born from the ache of witnessing”, curator and editor Aya Mousawi shares with It’s Nice That: “To witness is to refuse disappearance: an attempt, in a small way, to archive this time and capture the spirit of our efforts to stand with Palestine. To honour their resistance and survival, and to trace the threads of solidarity that connect us across the world.”

A publication brought together in just six weeks, in the wake of the humanitarian crisis in Gaza, the artist book gathers a staggering number of visual poems, stories, memories and messages of resistance in the form of poster designs from the past two years of the genocide – marking “77 years of occupation and ethnic cleansing, and 77 years of resistance,” Aya adds.

Love is Resistance: Edited and curated by Aya Mousawi and published by Saqi Books, editorial design by Tawfiq Dawi/Hey Porter! Photo: Randa Dibaje (Copyright © Love is Resistance and courtesy Love is Resistance and Saqi Books, 2025) – Ellis Tree

Check out the Posters and text at

https://www.itsnicethat.com/articles/aya-mousawi-love-is-resistance-publication-project-121125?utm_source=dailyemail&utm_medium=email&utm_campaign=intemail

Palestine resistance poster

Lemon Tree very pretty – नींबू

मोतियों सी सफ़ेद, गोल, मुलायम और उतनी ही खूबसूरत नींबू के फूल की कलियाँ देखी हैं कभी? दूर से ब्लासम से भी नाजुक लगने वाले और दिन में चटक से निकल आने वाली ये कलियाँ रात होते होते खिलती हैं। रात को ये हवा में हिलती डाली पर चमचमाते जुगनू सी दिखती हैं। पाँच पंखुड़ियाँ और पीले रंग के स्टेमन वाली कलियों की एक खास गंध होती है और इनके खट्टे मीठे पतों तो लाजवाब होते हैं। अपनी महकती गंध के चलते ये फूल देर शाम में मधुमाखियों और कीड़ों को आकर्षित करते हैं। वसंत के मौसम की ठंडी रातों के बाद इनमें भर-भर कर फूल खिलते हैं, जैसे आजकल हमारे अपने नींबू के झाड पे हैं। मूनफ्लावर और चमेली जैसे फूल इसी के साथ के हैं जो शाम और रात को खिलते हैं। एक टहनी में कलियों के साथ नीबू बनने भी शुरू हो चुके हैं। इस गर्मियों में शिकंजी बना करेगी , हर रोज़।

​नींबू से जुड़ी हमारी लोक कथाएँ और मुहावरे सिर्फ उसे बुरी नज़र से बचाव या श्राप हटाने में माहिर समझते हैं। पर क्या आपको पता है कि ‘दुर्भाग्य की देवी ​अलक्ष्मी’ को प्रसन्न करने के लिए ​नींबू को  मिर्च के साथ मिलाकर खाया जाता है। कहा जाता है कि धन-दौलत की देवी लक्ष्मी की बहन अ​लक्ष्मी को खट्टी और मसालेदार चीजें बहुत पसंद हैं। उन्हें किसी घर या दुकान में प्रवेश करने से रोकने के लिए, लोग दरवाजे पर एक नींबू और सात मिर्च लटका देते हैं ताकि ​अलक्ष्मी की भूख मिट जाए और वे अंदर आए बिना ही चली जाएं। वैसे बच्चों की कहानियों में जादुई नींबू के पेड़ का भी जिक्र आता है, जिसके पत्तों और नींबू से किसी भी बीमारी को ठीक किया जा सकता हैं। 

The content describes the beauty and characteristics of lemon flower buds, which are white, round, and delicate. The buds bloom at night, appearing like glowing fireflies as they sway in the wind. Each flower has five petals and a distinct fragrance, attracting bees and insects in the evening. After the cool nights of spring, the buds flourish, alongside other evening-blooming flowers like moonflowers and jasmine. The description evokes a connection to nature, highlighting the presence of both blooming flowers and the beginning of fruit formation on the branches. The anticipation for making refreshing lemonade in summer is also expressed.