Lettered Cone – genetics of life on earth!

A kind aunt recently gifted this curio to Rajni together with its two cousins – the three being sea shell cones. The pattern and markings on this one fascinated me as I had not seen anything like this before so I searched a bit about it. Lo and behold, it is called “Lettered Cone” – it has found home finally – I told myself. 

Not surprising that even among the marine species of snails, gastropods, and mollusks there are ‘lettered’ and the ‘unlettered ones’. Just guessing, that among the lettered ones there must be poets and literary masters too – this one looks as if its pattern is rhyming with nature. In its top view it looks like the top of an ice cream cone filled with chocolate chunks in vanilla. Its sides look like a fancy snake skin. Holding it in hand is sheer delight, its inner curves still carrying the smell of saline waters of Indian Ocean where it is found in plenty. Don’t worry much about the red spot, it is some plastic stuck to it which I plan to remove carefully. 

A species of predatory sea cone snail or mollusk, Lettered Cone is also known as leopard cone. Like all species of conus these are venomous and capable of stinging humans. Fishermen don’t even touch it. It is the chocolate brown pattern on it which looks like a long forgotten ancient script that gives it its name and makes it look special. I learnt that “…the patterns on the Lettered Cone shells are also reminiscent of chromosomes. Possibly this is the undecipherable story the Lettered cone shell is trying to tell; a glimpse into the genetics of life on earth. For now, this deadly beauty will keep its secrets – possibly hidden in the letters of its shell.

I am told people have been obsessed with seashells since the Stone Age. These have been used as money, worn as jewelry, and used in trade. But if you’re beachcombing in the tropics, there’s one beautiful shell you can leave alone: the Cone Snail.

The Lettered Cone is the “femme fatale” of the ocean. It gets its name from the dark patterns on its shell that look like handwriting or secret codes. Every shell is unique, like a fingerprint, and some collectors even hunt for ones that look like they spell out actual words. Collectors say ‘no two messages’ are ever the same on these cones.

People have seen everything from early Arabic letters to lost codes in these patterns. Some collectors specifically hunt for “word shells”—specimens where the dots and dashes happen to line up to look like actual words.

In some cultures, these markings weren’t just seen as random; they were viewed as a way for the divine to speak to us.

From a scientific lens, these patterns are actually a real-world example of “Rule 30″—a complex mathematical rule used to study chaos and complexity in nature. It’s as if the snail is printing out a chaotic computer code as it grows.

I am not the only one obsessed with these. Over 2,000 years ago, people in Japan went on dangerous sea voyages just to find these shells turning these into bracelets for high-society women. Wearing one was not just the ultimate fashion statement it also marked the wealth of the owner enough to own something for which literally some lives could be risked.

The predator inside this pretty shell carries a harpoon of poison. Its needle-sharp tooth shoots out  toxic cocktail that can paralyze a prey in an instant. For humans, it’s incredibly dangerous—some species are nicknamed “cigarette snails” because the joke is you’d only have time for one last smoke after being stung.

But here’s the crazy part: that deadly venom of Lettered Cone is actually saving lives. A subject of neuroscientific research, scientists are turning its venom into medicine for neurological diseases like Alzheimer’s, Parkinson’s, depression and even epilepsy. They’ve even created a painkiller from it that’s 1,000 times stronger than morphine but isn’t addictive.

So, if you see one of these gorgeous patterned cones in the sand, just remember: it’s a tiny, beautiful masterpiece that packs a punch strong enough to change the world—or end your day very quickly.

Lettered Cone from the Indian Ocean

-Rajinder Arora, 15 March 2026

Best Wishes dear Kapil Dev

HAPPY HAPPY WALA BIRTHDAY to dear Kapil Dev. Wishing you good health, joy, and peace. The picture and the book is from the times when Kapil pa ji made records and we recorded them for posterity. Cheers to many more eventful years in your life. “Kapil Dev: Triumph of the Spirit”, is a profusely illustrated biographical journey of an iconic sportsman. The book was designed and printed by ISHTIHAAR. Ishtihaar won many prestigious awards for the book. From right: Kapil Dev, Rajinder Arora, and Sunil Sachdev of Allied Press.
@KapilDevIndia @TheKapilDev

Birthday wishes to Kapil Dev. Outside his house discussing his book

Death and Design

How can ‘design’ help us think differently about death?

A series of interesting conversations among the international design community about “Death and design: the creative projects confronting society’s ultimate taboo.”

“The visual language of death has stagnated, and creatives have a vital role to play in how future generations face its complex subjects. Here, we chat to a design research practice dedicated to death, and delve into some of the topics covered at their recent conference, from symbols of death and branding the end of life, to ‘traumacore’.

Death: it’s a topic that often feels like no one really wants to talk about. Especially, that is, in the buttoned-up culture of avoiding difficult topics that the UK is so well known for. But whether we like it or not, death is something every single person will deal with in their lifetime, and one day encounter themselves.”

​Death and Design? While the world deliberates the essential nature and icons of death, I wonder if the Indian design community has ever given it a thought. 

*Strong content warning: this article explores many sensitive topics, including death.

The Garden of Pride

Not really a city of gardens today, but it is said Delhi had dozens of large gardens since the Tughlaq-era or even before. Sheikh Abu Bekr bin Kallal of Damascus who briefly stayed in Delhi during the reign of Muhammad Tughlaq writes, ‘…the city of Delhi is full of gardens. Gardens extended on the three sides of Delhi in a straight line for twelve thousand paces. The western side bordered on a mountain.” The construction of gardens continued later under Sultans and the Mughals. Glad to have designed a visual treat, a large format book (The Garden of Pride) on the restoration of Bagh-e-Bahaar, a 13th century Tughlaq-era monument in Vasant Vihar. The restoration of the monument, the garden, and the rejuvenation of water bodies around it, was a local community effort.

Book Design Project: The Garden of Pride: Vasant Udyaan

Garden of Pride: Bagh-e-Bahaar, a coffee table book